What I Learned from Red Shoes

First and foremost – THANK YOU! Thank you to everyone who came out and saw my first one woman show. Thank you to my friends and family for the constant support and encouragement. Thank you to the Boulder Fringe for pulling my name out of the hat and providing a space for me to explore my art completely uninhibited.

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This show has been a huge portal for me. I have been saying for years and years and years and YEARS that I want to create a one woman show and put my artistic voice and vision fully on stage. And now it’s over and I feel so pleased having completed the process. After my opening night show wrapped, and I was flooded with praise from my audience, I felt truly triumphant. What a rush!

IMG_0264I learned several lessons on this artistic venture. The first one being, You are not alone. I have a tendency to dig in my feet and feel safer doing everything by myself. As a one woman show there are certainly a lot of aspects to the creating that were extremely individual and solitary. However, as the days ticked by, I found my stress mounting and my doubts growing the longer I kept the creative process to myself. When I finally reached out and starting asking for feedback and guidance and assistance, that’s when the piece really began to solidify and become real magic. AND everyone I reached out to was so honored and excited to be a part of the process. Thank you to all the people who helped me ask for help.

I learned to Trust my timing. I’m sure many creative types struggle with procrastination like me, but over the course of this six month period I reframed my procrastinator as a powerful ally. Instead of letting my inner critic shriek endlessly about the time I was wasting, I calmed that voice and realized I was letting things simmer, allowing creative ideas to dance about, rather than beating them into the shapes I wanted them to be. One piece of choreography in the show was stumping me over and over again. I had formed an idea for the segment, and yet continued to ignore working on it. Finally it dawned on me that I didn’t feel comfortable with the original idea, and procrastinating helped me ease into that reality. After addressing my fears, and pivoting to a new possibility, I fell into a piece of choreography I truly loved.

People have asked me if I would do this kind of project again, and I know for sure if I did, it would look radically different to this show. What I do know is that I will continue to be an artist. I will continue to dance and perform. And I’m excited to see what new opportunities will come my way now that I have passed through this artistic portal.

If you saw the show I would love to hear your feedback. Follow this link to the Boulder Fringe Website and leave me a review. I appreciate it SO MUCH!

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Day 7: White Stag

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This is another piece that took a while to finish and I decided now was a good time to take stab at completing it. I’m still not super happy with it. The whole things feels really flat and isn’t very rich. The stag only looks good when the sun hits it a certain way. I suppose it captures the elusive quality of the White Stag, which is said to only appear when the mythic realm is close to ours.

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The spray paint corner of my studio where I added the detail to the lower portion.

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Detail of the text in the trees.

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The elusive stag, with the sun hitting it just right.